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And if you connect a camera to the Pi, you can always use it as a network camera with a little configuration! You can learn more about some of these tools from this article here: Projection Mapping with the Raspberry Pi.
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A Raspberry Pi, HDMI cable, and a USB power supply, plus a few different Micro SD cards and you have a swiss army knife for visuals. We can’t all afford (or want) to haul a backup laptop with us for every show, but you can carry my favorite backup VJ tool ever! - A Raspberry Pi (v2, or 3 sorry I don’t have any experience with the RPI 4’s). Backup Hardware! Media Players, Raspberry Pis, Recorders. Test your gear and push it to the extreme! That and always have a backup.ģ. I’ve watched multiple VJs introduce a new HDMI dongle, HDMI mixer, or HDMI preview monitor to their setup days before a show only to watch them drop signal throughout their show and lose connection with the projector (which would then reconnect, but the screen would turn “No Signal” blue or black for a few seconds every couple of minutes).
#Resolume arena 5 mp4s how to
I had a Samson midi controller go to sleep on me during a performance, which had me scrambling through their awful user manual PDF on my phone trying to figure out how to “wake it up” without ruining the performance mid-way through. A few examples of this: I’ve seen external SSDs overheat and fail (I’m not saying which brand, but they weren’t cheap). If you don’t have time to test it fully, don’t add it to your setup. Whether it’s learning a new midi controller, or breaking in a new hard drive with thorough testing. Sometimes adding gear might seem like a dream come true, but I’ve seen it turn into a living nightmare for other VJs and video professionals. You need time to learn and troubleshoot your hardware. Take this with a gain of salt, but this pre-caution comes from my experience in film and video production. Hardware Tip: No new gear for a new show.
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I had a USB SSD that I could boot from without upgrading my MacBook Pro or partitioning my internal boot drive.
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On another occasion, I needed to roll forward my OS version to interface with some recent software updates. We fixed a few disk utility settings, and they were back up and running with their show computer. I was once in Boston and an hour before a show, the DJ’s computer crashed, and one of my bootable thumb drives saved the day.
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If you can, I recommend picking up a few USB thumb drives with decent read/write speeds, and then loading bootable versions of Mac OSX onto them as recovery drives. That being said, always carry a clear garbage bag with you! Whether you have to wear it as a poncho, pop it over your suitcase when running through a storm, or cover your laptop, a clear plastic bag will allow you to see your laptop screen even if all hell breaks loose. If you’re working on a crazy punk show with drinks flying all over, a silicone keyboard cover might save your life. And if it’s a laptop (MacBook Pro, PC, whatever) I definitely recommend some sort of case with protection. Computer Protection! - A bumper case and a clear garbage bag. The rest of the buttons should be self explanatory based on the image above, or you can read through the “User Notes” built into the template which explains all of this and more.ġ. To trigger to the next clip in the media or move up and down the media bin, redirect your eyes to the “BANK SELECT” 4 button arrow keys. Beneath that (Yellow) is a random clip trigger. They are also linked to your Audio Analysis Filter 3 and will flicker based on your computers mic peaking.
The two buttons beneath that (Green) are page up / page down buttons for moving through your media bin. Top goes sets destination for Layer A, bottom for Layer B. To switch between Layer A and B, when selecting clips - use the first two buttons on the top right side of the grid under the label “SCENE LAUNCH” They will light up when they are selected. You can change this later to preference or disable it entirely.īoth layers use the same 40 RGB button grid to trigger clips. If it is all the way down, your screen output will be black. The first vertical slider on the right side of the controller labeled “MASTER” controls the master opacity. The Master output FX are turned on and off by the top 8 rotary knobs. Both video layer A and B flow to a Master output (Projector, TV, etc.) The cross fader blends between both layers and each layer has its own FX chain presets. This template is structured to be a 2-channel video mixer.
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